Artificial Intelligence: Duality in Applications of Generative AI and Assistive AI in Music

David Atanacković

doi:10.51191/issn.2637-1898.2024.7.12.12

Authors

David Atanacković Faculty of Music, University of Arts in Belgrade, Serbia Author https://orcid.org/0000-0001-5416-3778

DOI:

https://doi.org/10.51191/issn.2637-1898.2024.7.12.12

Keywords:

Artificial Intelligence (AI), Composition, Technology, Music, Collaboration

Abstract

This paper explores the multifaceted role of Artificial Intelligence in the field of music, more specifically, examining the positives and negatives of generative and assistive capacities. Artificial Intelligence (AI) in music involves the application of computational techniques to various aspects of music creation, production and consumption. In the domain of assistive AI, the concentration is on how machine learning could potentially help musicians in the area of composition and performance to enhance their musical creativity. The paper will discuss an interesting collaborative effort between pure human creativity and computational assistance covering an explanation for a vast number of tools using generative as well as assistive artificial intelligence models.

In addition, the paper will address the concerns facing the music industry while this technology keeps on improving, the potential drawbacks and ethical considerations. It opens the question of authenticity and emotional depth, and when or if this new technology could be able to replicate it. Further explanation in the paper will consider music examples with a focus on music styles assisted and generated by the use of artificial intelligence, from pop to classical music.

With a thorough analysis of the aforementioned subject, the paper aims to provide a detailed perspective on the constant evolution of AI tools used in music with highlights on the need for a balanced approach. In providing a detailed perspective on the evolving landscape of AI tools in music, this study adopts a methodological approach that involves comprehensive analysis of both the benefits and challenges associated with these innovative gadgets. The paper contributes to the ongoing discussion on the intersection of technology and artistic expression. By examining the potential benefits and challenges with these innovative models, the paper signifies ongoing discourse on the impact of technology on artistic expression.

Author Biography

David Atanacković, Faculty of Music, University of Arts in Belgrade, Serbia

David Atanacković was born on May 24, 1996 in Belgrade. He graduated from the Faculty of Music in Belgrade, where he completed his undergraduate studies in 2019 and his master's degree in composition in 2020. During his studies, he won numerous awards at competitions in solfeggio, theory, composition and piano.
His compositions were performed at various festivals and concerts in Serbia and abroad. He participated in projects composing music for documentary, short and animated films as well as for the theater. In addition to composing music, he is active in the fields of music production and sound design for video games.
In 2020, Atanacković was admitted to "Berklee College of Music" in the department of music production, technology and innovation. He is currently studying for a doctorate in composition at the Faculty of Music in Belgrade, where he is currently employed as a researcher. He participated in international competitions, representing Serbia and Radio Belgrade in Italy and Germany. Since 2024, he has been collaborating with foreign publishers and music libraries, composing music for various media.