About the Journal

INSAM Journal of Contemporary Music, Art and Technology is an international peer-reviewed journal dealing with topical issues in contemporary art music, visual and performing arts, and technology. The journal encourages interdisciplinary and transdisciplinary approaches and innovative views on these subjects, aiming to create a platform for communicating new ideas and theoretical and artistic impulses.

INSAM Journal of Contemporary Music, Art and Technology is published by the INSAM Institute for Contemporary Artistic Music from Sarajevo, Bosnia and Herzegovina.

INSAM Journal is published semi-annually (July and December) in open-access electronic form.

The Journal is indexed in: ERIH PLUS, DOAJ – Directory of Open Access Journal, CEEOL – Central and Eastern European Online Library, RILM – Répertoire International de Littérature Musicale.

Announcements

Current Issue

No. 15 (2025): Radio Art
View No. 15 (2025): Radio Art

The main theme of the INSAM Journal of Contemporary Music, Art and Technology No. 15, another issue in the journal’s ongoing development that we are delighted to celebrate as a milestone and on the occasion of the INSAM Institute’s 10th anniversary, is “Radio Art”. In the year that marks the 40th anniversary of the Sound Workshop [Radionica zvuka], a serial dedicated to radio art produced in Radio Belgrade, we were inspired to invite collaborators to write on the histories, presents and futures of this artistic form. In response, we received five original articles discussing the histories of radio art serials, competitions, a radio documentary drama as a result of a collaborative educational project and radiophonic genres. Moreover, this theme was not merely contained in the Main Theme section, but was also marked by contributions in the (Inter)Views and the Reviews sections.

 

Issue guest editor: Dr. Marija Maglov, Institute of Musicology SASA

 

On the cover: Rijad Kaniža, Pelj_Mag-DReš.Dropletspekktra_invuComp, 2025.

Published: 25.12.2025

Full Issue

(Inter)Views

Articles

  • From Sound Workshop to Radio Film: Tracing Serbian Radio Art History Backwards

    Đorđe Malavrazić (Author)
    DOI: https://doi.org/10.51191/issn.2637-1898.2025.8.15.41

  • Propositions from the history of the radio as atelier: imagining a new radio and a new listener in the life of the Atelier de création radiophonique of Radio France

    Virginia Madsen (Author)
    DOI: https://doi.org/10.51191/issn.2637-1898.2025.8.15.69

  • Swiss Radiophonic Art and Commissioned Compositions by the Swiss Broadcasting Corporation (SRG SSR) at the Prix Italia

    Tatiana Eichenberger (Author)
    93-113
    DOI: https://doi.org/10.51191/issn.2637-1898.2025.8.15.93

  • Tuning in the Valley of Sounds: Exploring Collaborative Professionalism in Radiophonic Art

    Ana Čorić (Author)
    114-132
    DOI: https://doi.org/10.51191/issn.2637-1898.2025.8.15.114

  • The Question of Genre in Experimental Radio Art in Serbia

    Anđela Milić (Author)
    133-146
    DOI: https://doi.org/10.51191/issn.2637-1898.2025.8.15.133

  • Copying and Selling the Future’s Past: Buchla/Arp Replicas and Intangible Sonic Practice

    Andreas Kitzmann (Author)
    148-165
    DOI: https://doi.org/10.51191/issn.2637-1898.2025.8.15.148

  • Imagining Interwar Sound and Space: Film Music and Cultural Memory in the Post-Yugoslav Context

    Marija Golubović (Author)
    166-185
    DOI: https://doi.org/10.51191/issn.2637-1898.2025.8.15.166

Reviews

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