Digital Competences in Classical Music Teaching: From a Critical View to the Systematization of Digital Resources

Authors

DOI:

https://doi.org/10.51191/issn.2637-1898.2024.7.13.40

Keywords:

digital competences, classical music teaching, knowledge, open-access digital music resources, music encoding, storage and transposition, computer programs and databases

Abstract

The number and variety of online classical music digital resources require specific knowledge to independently search for, select and incorporate appropriate content into the teaching process, as these represent alternative teaching tools that go beyond the primary didactic materials. The basic assumption of this paper is that the digital competences of music teachers imply not only the mastery of tools – concrete digital resources – but also a specific theoretical knowledge of music encoding, storage and transposition informed by computer science as a prerequisite for developing a skill to use digital tools. The main contribution of this article is therefore to identify the key theoretical knowledge and digital resources that music teachers should understand to successfully develop and utilize their digital competences in the context of classical music teaching. The main principles and practices of music encoding, storage, and transposition are identified and explained regarding relevant academic studies. Based on an analysis and systematization, the open-access classical music digital resources are selected and classified, considering the most representative examples.

Author Biographies

  • Sanela Nikolić, Faculty of Music, University of Arts in Belgrade, Serbia

    Sanela Nikolić with a Ph.D. in Theory of Arts and Media and a B.A. in Musicology is affiliated as an Associate Professor of Applied Aesthetics at the Faculty of Music, University of Arts in Belgrade, Serbia, where she holds courses at Bachelor, Master, and Doctoral studies and coordinates Applied Research of Music (PRIMA) MA study program. She is the Managing Editor of an academic journal AM Journal of Art and Media Studies. Her fields of interest include avant-garde art schools and practices, applied aesthetics as a critical history of the humanities, interdisciplinarity and transdisciplinarity in the humanities, and digital humanities.

  • Biljana Leković, Faculty of Music, University of Arts in Belgrade, Serbia

    Biljana Leković, Ph.D., musicologist, Assistant Professor at the Department of Musicology, Faculty of Music in Belgrade. She is also a Lecturer at the Interdisciplinary master studies of the Department of Theory of Arts and Media, University of Arts in Belgrade. She is a President of the Centre for Popular Music Research. Her fields of interest include contemporary music, new media practices, sound art, sound studies, and popular music. She is the author of two books: Modernist Project of Pierre Schaeffer – From Radiophony Analysis to Musical Research (2011) and Sound Art/Zvukovna umetnost: Musicological Perspective – Theories (2019).

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Published

23.12.2024

How to Cite

Digital Competences in Classical Music Teaching: From a Critical View to the Systematization of Digital Resources. (2024). INSAM Journal of Contemporary Music, Art and Technology, 13, 40–68. https://doi.org/10.51191/issn.2637-1898.2024.7.13.40