Transmedial (R)Evolution: {SinOsc.ar(400, 800, 0, 0.1)multisensory.experience}.play;

Authors

  • Marija Mitrović University of Ljubljana, Ljubljana, Slovenia Author

DOI:

https://doi.org/10.51191/issn.2637-1898.2020.3.4.60

Keywords:

sound spectrum, musical language, transmedial, Gesamtkunstwerk, composition, software, creativity, multisensory, perception, human-machine collaboration

Abstract

The digital revolution and technology has led us towards a more intimate understanding of the acoustic instrument and its sound. What was the modern piano for Chopin was a tape recorder for Schaeffer. Today, there is little distinction between the sounds of acoustic, natural or electronic. In this paper I describe the shift of musical perception throughout recent technological developments. My starting point of exploration is the spectral attitude of 1979, which inspired further sonic evolution and changed our perception of the sound, performance and instrumental body or instruments, as well as introducing the computer as an essential instrument for composing. Further, I highlight the importance of software and discuss the ways in which software-generated musical ideas can incite human creativity and influence a post-digital vision of gesamtkunstwerk. The evolution of hybrid instruments and real-time audio-visual interactive software has led to changes in temporal freedom and created a multisensory experience. I explore how this transmission breaks down the barriers and limitations of the human creative mind and discuss how this can potentially lead to the new musical era. Finally, I reveal some art experiments within the concept of transmedial composition in recent times.

Author Biography

  • Marija Mitrović, University of Ljubljana, Ljubljana, Slovenia

    Marija Mitrović (b. 1994, Bar, Montenegro) is a cross-disciplinary artist and pianist whose concerto repertoire is almost exclusively focused on modern and contemporary works. After finishing the Academy of Music in Montenegro 2017, as Musical performer – pianist, she continued her studies in Trieste (Italy) and Dusseldorf (Germany) when she performed series of solo and chamber concerts (Piano recital 2018. (Sint Niklaas, Belgium), Spectral concert 2018. (Ljubljana, Slovenia), Piano days – solo recital 2019. (Dusseldorf, Germany) 2019 etc.) Beside piano performance, she was also one of curators in Jazz Festival Ljubljana 2018 and 2019 (project ABECEDA mentored by Dre Hočevar), public speaker on enCORE conference – New ways in Classical music, Berlin(Germany), 2019, artistic director of her first transmedial project Homocordia Disapiens in collaboration with Robert Schumann Conservatory and Institute for Music and Media (Dusseldorf, Germany). Currently, Marija is finishing Master’s degree in piano performance at the University of Ljubljana (Slovenia), while working as a piano pedagogue and opera accompanist in Montenegrin National Theatre.

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Published

15.07.2020

How to Cite

Transmedial (R)Evolution: {SinOsc.ar(400, 800, 0, 0.1)multisensory.experience}.play;. (2020). INSAM Journal of Contemporary Music, Art and Technology, 4, 60-76. https://doi.org/10.51191/issn.2637-1898.2020.3.4.60