Freedom as Virus: A Critique of the Neoliberal Notion of Freedom and an Analysis of its Cultural Consequences

Authors

  • Aaron Michael Mulligan Independent researcher, New York City, NY, United States Author

DOI:

https://doi.org/10.51191/issn.2637-1898.2021.4.6.75

Keywords:

freedom, Neoliberalism, Speech, social media, Expression, Censorship, COVID, Desire, crisis

Abstract

The extent to which the COVID pandemic has been shaped by communication is enigmatic as the very term “viral” has become a term of information science as much as of biology. Insofar as sizable populations have become cynical about information regarding COVID, their behavior has accelerated the threat of the virus. This paper proposes that this pandemic 
is fundamentally a crisis of communication emerging from antagonisms and inconsistencies latent within a general concept of “freedom”. The notion of freedom that has emerged with neoliberalism is one of a lack of regulation. Such a naive idea of freedom becomes particularly problematic when compounded with the classical liberal value of freedom of speech. This 
paper addresses the impossibility of unlimited speech, particularly on the internet, focusing on the desire such impossibility stimulates. This desire is an economic fuel for social media platforms. Insofar as artists share their practices via social media and generally use these platforms for networking, their practices inherit contradictions that artists must become conscious of to prevent a web-based practice from becoming emotionally exploitive and economically complicit. This crisis amplifies those contradictions that drive the artist to the point of despair. 

Author Biography

  • Aaron Michael Mulligan, Independent researcher, New York City, NY, United States

    Aaron Michael Mulligan is an artist and curator from Denver, Colorado, currently residing in Brooklyn, New York. He has worked as an art educator at the Rocky Mountain College of Design and runs a post-brick-and-mortar gallery called JuiceBox with his wife and fellow artist Lucía Rodríguez. He has worked as an independent curator and, since the start of the COVID pandemic, has organized web-based exhibitions. He is also the author of .img, published by Anfibia Ediciones based in Santiago Chile.

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Published

15.07.2021

How to Cite

Freedom as Virus: A Critique of the Neoliberal Notion of Freedom and an Analysis of its Cultural Consequences. (2021). INSAM Journal of Contemporary Music, Art and Technology, 6, 75-88. https://doi.org/10.51191/issn.2637-1898.2021.4.6.75