The Intelligent Work of Art: How the Narcissus Theme Echoes in New Media Art

Authors

  • Daniel Becker Bibliotheca Hertziana – Max Planck Institute for Art History, Rome, Italy Author

DOI:

https://doi.org/10.51191/issn.2637-1898.2019.2.2.115

Keywords:

artificial intelligence (AI) , consciousness, media-awareness, Narcissus, new media art, self-awareness, Waltz Binaire

Abstract

This paper will deal with the mythological figure of Narcissus in new media art. In visual arts in general, this myth is usually used to reflect on the relationship between the artist and his actual work. There are countless examples of artists from antiquity to the present age that deal with subjectivity in their work by recurring the Narcissus theme. But different to those adaptations, works of the New Media Art since the 1970s reflect more about the technology and subjectivity of the observer through the theme of Narcissus. The use of time-based media allows the artists to address the observer immediately through interaction and let him become a part of the work and therefore become a part of the cognitive process. The argument of this paper is that only through the use of time-based art could the self-awareness of the observer be discussed instead of only a reflecting on the work itself and the reception-process. Against this backdrop, the paper will focus on the use of AI as a ‘material’ in contemporary art and how it extends this cognitive process. In addition to other works from the history of new media art the work Narciss (2018) by the German art collective Waltz Binaire will be in the center of this discussion about AI in and as artistic practice.

Author Biography

  • Daniel Becker, Bibliotheca Hertziana – Max Planck Institute for Art History, Rome, Italy

    Daniel Becker studied art history and German language and literature in Hamburg, where he wrote his master's thesis on Narcissus in Media Art. His focus is on contemporary art, digital aesthetics and the history of art and technology. From 2012–2014 he worked on the digitization project of the Hamburger Kunsthalle. From 2014–2018 he was a scholarship holder at the International Doctoral Program Mimesis of the Ludwig-Maximilians-University Munich and is doing his doctorate there on the topic of Schnitt-Stellen. Aesthetic implications of interfaces. Since February 2019 he is a research assistant in the department of Tristan Weddigen. Here he is pursuing a project on The Aquatic and Fluids as a Sculptural Element in Italian Art.

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Published

15.07.2019

How to Cite

The Intelligent Work of Art: How the Narcissus Theme Echoes in New Media Art. (2019). INSAM Journal of Contemporary Music, Art and Technology, 2, 115–126. https://doi.org/10.51191/issn.2637-1898.2019.2.2.115