Oficina De Criatividade Sonora: Concepts About Music, Images and Sounds in a Collaborative Experimental Podcast in Northern Brazil

Authors

DOI:

https://doi.org/10.51191/issn.2637-1898.2020.3.5.108

Keywords:

sound experience, visual culture, musical notation, collaboration

Abstract

What is sound experience? How does it relate to our interpretation and perception of art and daily life? Oficina de Criatividade Sonora – Sound Creativity Workshop – is a collaborative experimental podcast created by composer Heitor Martins Oliveira, from Brazil, in order to generate online content and interact with his students, other artists, and the community, during the global pandemic of 2020. Musician and visual artist Leonardo Luigi Perotto joined as a close collaborator. Every week, from April to June, they released an image/score on social media and received audio files – created and sent mostly via smartphones – from followers. The audio – including singing, talking, instruments, and soundscapes – was edited by Oliveira to create sound compositions or narratives. Some contributors were asked to comment on their reading of the scores. The weekly podcast episodes featured commentaries and the resulting sound experiment. Since contributors are free to interpret the images/scores, they construct their own criteria and structural principles for sound creation. Their choices are related with their life experiences in music, other arts, or any other fields. These sound experiments reveal how contributors think about images and their relation to sound and music, their cultural, political and educational significance.

Author Biographies

  • Heitor Martins Oliveira, Universidade Federal do Tocantins, Palmas, Brazil

    Heitor Martins Oliveira holds a bachelor's degree in Music / Conducting, a degree in Artistic Education / Music from the University of Brasília (2002 and 2006), a master's degree in Music / Composition - Texas State University (2004) and a doctorate in Music /Composition from the Music Postgraduate Program at Federal University of Rio Grande do Sul (2018). He is currently a adjunct professor at the Federal University of Tocantins, linked to the area of Arts and Philosophy, Palmas campus. He has experience in the area of Arts, with an emphasis on Music and Music Education, acting mainly on the following themes: musical composition musical theory and analysis. He maintains constant activity as a music composer for the concert hall, performing arts and audiovisual.

  • Leonardo Luigi Perotto, Universidad de Barcelona, Barcelona, Spain

    Leonardo Luigi Perotto holds a bachelor's degree in Music / Classical Guitar from the Federal University of Santa Maria (UFSM - 2003), specialization in Art, Education and Contemporary Technologies from the University of Brasília (UnB - 2012), and master's degree in Music from the Federal University of Goiás (UFG - 2007) . He is a PhD student in Arts and Education at the University of Barcelona (Spain), where he researches on performance, education and the visual arts. He is currently a music professor at the Cultural Foundation of Palmas (Brazil). He has experience in the area of Arts, with emphasis on Musical Composition, acting mainly on the following themes: chamber music, music education, music, interpretive practices and musical performance.

Downloads

Published

15.12.2020

How to Cite

Oficina De Criatividade Sonora: Concepts About Music, Images and Sounds in a Collaborative Experimental Podcast in Northern Brazil. (2020). INSAM Journal of Contemporary Music, Art and Technology, 5, 108-126. https://doi.org/10.51191/issn.2637-1898.2020.3.5.108