No. 5 (2020): Music, Art, and Technology in the Time of Global Crisis

Cover of the INSAM Journal No. 5. Design by Milan Šuput

The fifth issue of INSAM Journal of Contemporary Music, Art and Technology is the second one we are preparing and publishing during the Covid-19 pandemic. And while the theme for the previous issue was conceived in a world unburdened with what has preoccupied our minds and lives in 2020, the theme for this one is directly shaped by it. During the Spring, when we were taken aback by the governmental measures and the fear of the “invisible enemy” (the use of militant vocabulary is rather prominent in the discourse surrounding the virus), the uncertainty for the future grew strong. However, at that time, we could not predict the longevity, brevity and consequences of the pandemic – in December we are still not certain, but we are getting tired.
This is why I would like to thank all the authors for working with us in these trying times, unpacking what can only be a beginning of ‘a global crisis’ during the Summer and Autumn of 2020. The main theme of the issue, Music, Art, and Technology in the Time of Global Crisis, strives to capture this period through the lens of workers in art, music, and academia around the world, focusing on the role and place of arts and technology in our/their relocated institutional realities.

 

On the cover: Franziska Rittiger, Vanitas reloaded, 2020.
Cover design: Milan Šuput

Published: 15.12.2020

Full Issue

Articles

  • Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances

    Marcello Messina, Valério Fiel da Costa, Marco Scarassatti (Author)
    28-45
    DOI: https://doi.org/10.51191/issn.2637-1898.2020.3.5.28
  • Perspectives on Virtual Museum Tours

    Milena Jokanović (Author)
    46-57
    DOI: https://doi.org/10.51191/issn.2637-1898.2020.3.5.46
  • Rhizomatic Remediation: Adaptation in a Web-Based Art Praxis During Time(s) of Crises

    Noah Travis Phillips (Author)
    58-73
    DOI: https://doi.org/10.51191/issn.2637-1898.2020.3.5.58
  • Vanitas Reloaded: A Remote Tableau Composition from the Corona “Home Wunderkammer”

    Susanne Junker (Author)
    74-88
    DOI: https://doi.org/10.51191/issn.2637-1898.2020.3.5.74
  • On the concept of ‘music performance’ in the context of the COVID-19 lockdown: A brief musicological discussion based on a public survey among listeners in Argentina

    Magdalena Zorn, Juan Manuel García (Author)
    89-107
    DOI: https://doi.org/10.51191/issn.2637-1898.2020.3.5.89
  • Oficina De Criatividade Sonora: Concepts About Music, Images and Sounds in a Collaborative Experimental Podcast in Northern Brazil

    Heitor Martins Oliveira, Leonardo Luigi Perotto (Author)
    108-126
    DOI: https://doi.org/10.51191/issn.2637-1898.2020.3.5.108
  • Performing and Premiering in spite of a Global Crisis: Gerd Kühr’s Corona Meditation and its Usage of Online Platforms

    Susanne Göttlich (Author)
    127-137
    DOI: https://doi.org/10.51191/issn.2637-1898.2020.3.5.127