Perspectives on Virtual Museum Tours

Authors

DOI:

https://doi.org/10.51191/issn.2637-1898.2020.3.5.46

Keywords:

virtual museum, pandemic, transmedia perception, technology, digital shift

Abstract

As a number of world museums have closed their doors for the public due to pandemic of the new Corona virus, curators are thinking of alternative ways of audience outreach: 3D virtual galleries are increasingly created, video guided tours shared, digitized collections put online. The new circumstances unquestionably bring potentials for growth, but carry numerous risks and inconsideration, as well. Many theoreticians argue that the crisis of this scale will undoubtedly fasten the digital transformation in museum and arts sector and consequently, in a much more wide sense influence the identity rethinking. However, the research of audience interest to virtual museum tours show there was a peak of just 3 days visiting these, massively followed by a fast decrease even the social isolation was globally still present and museum buildings still locked. Turning back to the genesis of the virtual museums, in the following paper, we will question why there is no interest to virtual museum content. Do tours answer the needs of the contemporary digital-born audience? Do these represent just a copy of settings from physical galleries or use potentials and logic of the new spaces? Will museums finally transform and enter into so many times nowadays mentioned digital shift answering the need of the new, transmedia perception of audience?

Author Biography

  • Milena Jokanović, University of Belgrade, Faculty of Philosophy, Seminar for Museology and Heritology, Art History Department, Beograd, Serbia

    Milena Jokanović is a research associate within the Seminar for Museology and Heritology at the Art History Department, Faculty of Philosophy, University of Belgrade. She also works as an educator at the Museum of Yugoslavia. She holds a PhD in art history with the focus on museum and heritage studies and a master's degree in cultural policy and management. Her interests, therefore, span museology, culture of memory, use of historical models of collecting in modern and contemporary art practice, interpretation of heritage through new media and cultural management. She is the author of numerous papers, several exhibitions and the manager of few cultural projects.

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Published

15.12.2020

How to Cite

Perspectives on Virtual Museum Tours. (2020). INSAM Journal of Contemporary Music, Art and Technology, 5, 46-57. https://doi.org/10.51191/issn.2637-1898.2020.3.5.46