Space Crisis: Encounter in the Museum Building or Online?

Authors

DOI:

https://doi.org/10.51191/issn.2637-1898.2022.5.9.74

Keywords:

Wunderkammer, digital art, museum space, wellbeing, heterotopia

Abstract

After witnessing a huge turnaround in the wider social context in the previous period, it seems that the question of the future of museums in the digital environment has begun to take on a very optimistic tone full of potential. There is a growing visibility of these heritage institutions on social networks and an increasingly diverse offer of virtual tours, as well as the use of modern virtual and augmented reality technologies in the interpretation and presentation of cultural heritage, while some works of art and collections are created exclusively for cyberspace. Nevertheless, the museum as a meeting place still seems irreplaceable. At a time of isolation, growing loneliness and fears, studies on the emotions of visitors during their stay in the museum in the last few years show that real, physical spaces of the museum encourage constructive attitudes. Encounters with other visitors as well as with the exhibited artifacts especially prove to be important for positive feelings and the need to visit the museum. We will issue these theoretical premises on selected examples and examine whether modern technologies serve as additional tools of promotion and other possible ways of presenting museum content or, oppositely, whether social media and NFT galleries manage to overcome the need for the museum itself as a place of physical encounter.

Author Biography

  • Milena Jokanović, University of Belgrade, Faculty of Philosophy, Art History Department, Seminar for Museology and Heritology, Belgrade, Serbia

    Milena Jokanović is a research associate and lecturer within the Seminar for Museology and Heritology at the Art History Department, Faculty of Philosophy, University of Belgrade and educator at the Museum of Yugoslavia. She holds a PhD in art history with the focus on museum and heritage studies and a master's degree in cultural policy and management. Her interests, therefore, span museology, culture of memory, use of historical models of collecting in modern and contemporary art practice, interpretation of heritage through new media and cultural management. She is the author of a book: Cabinets of Wonders in the Art World, numerous papers, several exhibitions and the manager of few cultural projects.

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Published

15.12.2022

How to Cite

Space Crisis: Encounter in the Museum Building or Online?. (2022). INSAM Journal of Contemporary Music, Art and Technology, 9, 74-87. https://doi.org/10.51191/issn.2637-1898.2022.5.9.74