SONEMUS Fest (2015–2018): From ‘Sonic Boom’ to ‘Icarus’

Authors

DOI:

https://doi.org/10.51191/issn.2637-1898.2018.1.1.83

Keywords:

SONEMUS Fest, Sarajevo, contemporary music, Sonic Boom, Trancegression, DIC/C/LOC/K/ATION, Icarus

Abstract

SONEMUS is an organization established in 2001 for the purpose of performing, promoting and educating in the domain of contemporary music. The SONEMUS Festival is the only festival of its kind in Bosnia and Herzegovina and that is the reason for its great importance for the development and expansion of 21st-century culture and art in the home country, as well asin the region of Southeast Europe. So far, a large number of projects have takenplace under the name of SONEMUS, including a variety of concerts,workshops and lectures. From 2015 to 2018, the Society has registered fourfestivals of exceptional importance for musical life in Bosnia and Herzegovina. Consequently, this article will review of the Festival’s development over the past four years.

Author Biography

  • Rijad Kaniža, INSAM Institute for Contemporary Music, Sarajevo, Bosnia and Herzegovina

    Rijad Kaniža was born in 1997 in Livno, Bosnia and Herzegovina. He is currently a third-year student of the Music Academy in Sarajevo at the Department of Musicology and Ethnomusicology. The field of his musicological interest is contemporary artistic music with an emphasis on electronic and electroacoustic music. Since 2018 he has been an INSAM member and is working at the Department of Archives Publishing and Coordination of INSAM Projects. He is one of the leading students of the Music Academy in the field of student activism, where he acts as a president of the Student Association and delegate of the Music Academy at the Student Parliament of the University of Sarajevo. Since July 2018, as a music producer, he published his works under the label “Submarine Vibes”, a Sarajevo label for experimental electronic and popular music.

Downloads

Published

15.12.2018

How to Cite

SONEMUS Fest (2015–2018): From ‘Sonic Boom’ to ‘Icarus’. (2018). INSAM Journal of Contemporary Music, Art and Technology, 1, 83-95. https://doi.org/10.51191/issn.2637-1898.2018.1.1.83