Exploring the Potential of Blockchain Data as Pseudorandom Numbers for Microtonal Algorithmic Composition. A Case Study on Blockchain Music 2.5

Krzysztof Kicior

doi:10.51191/issn.2637-1898.2023.6.11.65

Authors

Krzysztof Kicior The Fryderyk Chopin University of Music, Department of Composition and Theory of Music, Warsaw, Poland Author

DOI:

https://doi.org/10.51191/issn.2637-1898.2023.6.11.65

Keywords:

composition, microtonality, polymicrotonality, polysystemism, algorithmic music, self-generative music, xenharmonics, blockchain

Abstract

This study explores the utilization of blockchain data as a set of pseudorandom numbers in the context of microtonal algorithmic composition. Conventional methods of generating indiscriminate numbers often lack the desired levels of unpredictability and uniqueness necessary for an intricate musical piece. By harnessing the hash parameter of several blockchains, we propose an innovative approach for obtaining pseudorandom numbers that offer heightened randomness and diversity. Moreover, the ensuing structure ensures the preservation of all composition data on servers, facilitating the re-generation of the piece and enabling listeners to revisit its past fragments. Additionally, leveraging blockchain technology allows the audience to actively interact with the composition, fostering a more engaging and participatory musical experience.

Through a comprehensive case study of a self-written, self-generating piece (Blockchain Music 2.5, 2023), we demonstrate the practical implementation of blockchain-generated numbers, showcasing their potential in exploring new post-tonal dimensions and producing unique sonic textures based on the predetermined set of rules. We also discuss the implications, challenges, and potential future directions of incorporating blockchain-generated numbers in algorithmic music composition. The research expands the landscape of digital music composition techniques and offers new avenues for leveraging blockchain technology in the domain of creative expression.

Author Biography

Krzysztof Kicior, The Fryderyk Chopin University of Music, Department of Composition and Theory of Music, Warsaw, Poland

Krzysztof Kicior, born in Katowice (Poland), is an up-and-coming composer, sound engineer, pianist, and researcher. He holds degrees from the Grażyna Bacewicz National Music School Complex and The Fryderyk Chopin University of Music in Warsaw. Additionally, he has further refined his craft at esteemed institutions including the University of York, Berklee College of Music, and Harvard University.

Kicior's compositions have garnered international acclaim, captivating audiences far and wide. His remarkable talent has earned him numerous accolades and recognition in national and international competitions spanning various realms of music and the arts. In 2019, he made history by becoming the first musician to receive the Diamentowy Grant, the most prestigious national science award in Poland, for his outstanding contributions to the field of music.

As a pianist, Krzysztof Kicior has embarked on successful concert tours, performing in renowned venues across Europe and Asia. He has also shared his knowledge and expertise through masterclasses, workshops, and lectures in various educational institutions. Beyond his artistic accomplishments, Kicior actively contributes to the Audio Engineering Society (AES), where he has been a member since 2014. From 2016 to 2019, he served as the manager of the AES Warsaw Student Section, demonstrating his commitment to the advancement of audio engineering.

Currently pursuing a Ph.D. at The Fryderyk Chopin University of Music, Krzysztof Kicior continues to push boundaries and explore new artistic possibilities. His passion for music, extraordinary compositions, and commitment to growth position him as an emerging figure in the global music scene.